Prodotti

ARCAM SOLO NEO
ARCAM SOLO NEO


GRADO SR125
GRADO SR125


SONUS FABER STRADIVARI
SONUS FABER STRADIVARI


Thorens TD240
Thorens TD240


SONUS FABER AIDA
SONUS FABER AIDA


MCINTOSH MA6300
MCINTOSH MA6300


FOCAL DIABLO UTOPIA
FOCAL DIABLO UTOPIA


KLIPSCH PALLADIUM P37F
KLIPSCH PALLADIUM P37F


MONITOR-AUDIO GOLD GX300
MONITOR-AUDIO GOLD GX300


AVANTGARDE DUO OMEGA G2
AVANTGARDE DUO OMEGA G2


HEGEL H100
HEGEL H100


NAD C375 Bee
NAD C375 Bee


WADIA 170 I TRANSPORT
WADIA 170 I TRANSPORT


VAN DEN HUL 3T THE HILL
VAN DEN HUL 3T THE HILL


FURUTECH EVOLUTION SPEAKER-06
FURUTECH EVOLUTION SPEAKER-06


LUXMAN L 550A II
LUXMAN L 550A II


MARANTZ SR7005
MARANTZ SR7005


MARANTZ UD7006
MARANTZ UD7006


ARCAM SOLO MINI
ARCAM SOLO MINI


MONSTER CABLE MP HTS 5100
MONSTER CABLE MP HTS 5100


Mirage Unitheater
Mirage Unitheater


TANNOY REVOLUTION DC4
TANNOY REVOLUTION DC4


MONITOR AUDIO GOLD GX50
MONITOR AUDIO GOLD GX50


The Orchid
The Orchid


TANNOY KENSINGTON SE
TANNOY KENSINGTON SE


NAD T785
NAD T785


PRIMARE T23 Ribassato a 400,00€
PRIMARE T23 Ribassato a 400,00€


ARCAM AVR 500
ARCAM AVR 500


M2TECH HIFACE
M2TECH HIFACE


CHARIO ACADEMY SONNET
CHARIO ACADEMY SONNET


TANNOY PRESTIGE TURNBERRY SE
TANNOY PRESTIGE TURNBERRY SE


NAD VISO FIVE
NAD VISO FIVE


NAD VISO THREE
NAD VISO THREE


MCINTOSH MCD 1100
MCINTOSH MCD 1100


PS AUDIO NOISE HARVESTER
PS AUDIO NOISE HARVESTER


GOLD GX100
GOLD GX100


KLIPSCH PALLADIUM P312W
KLIPSCH PALLADIUM P312W


MCINTOSH MA6900
MCINTOSH MA6900


ARCAM A38
ARCAM A38


NAD C715
NAD C715


Marantz TT15S1
Marantz TT15S1


ZINGALI PRELUDE 1
ZINGALI PRELUDE 1


MCINTOSH MCP 1500
MCINTOSH MCP 1500


AUDIO ANALOGUE CLASS A
AUDIO ANALOGUE CLASS A


HEGEL H70
HEGEL H70


MAP 105
MAP 105


PRIMARE I21 + CD21
PRIMARE I21 + CD21


CAMBRIDGE AUDIO DAC MAGIC
CAMBRIDGE AUDIO DAC MAGIC


Sonus Faber Cremona Center
Sonus Faber Cremona Center


NAD M5
NAD M5


WADIA 381
WADIA 381


CERWIN-VEGA XLS-15
CERWIN-VEGA XLS-15


Energy Reference Connoisseur RC10
Energy Reference Connoisseur RC10


The D-102 III Hybrid
The D-102 III Hybrid


SHARP OPTONICA SM7100
SHARP OPTONICA SM7100


SHANLING MUSIC CENTER 50
SHANLING MUSIC CENTER 50


NAD M25
NAD M25


VELODYNE SPL ULRA 800
VELODYNE SPL ULRA 800


OPPO BDP 93
OPPO BDP 93


SYNCHRONY ONE B
SYNCHRONY ONE B


MCINTOSH MEN 220
MCINTOSH MEN 220


MCINTOSH C50
MCINTOSH C50


PS AUDIO PERFECT WAVE P5
PS AUDIO PERFECT WAVE P5


LECTOR DIGITUBE II
LECTOR DIGITUBE II


MARANTZ SAKI PEARL LITE
MARANTZ SAKI PEARL LITE


MONITOR AUDIO PL100
MONITOR AUDIO PL100


SOTTOPUNTE SONUS FABER
SOTTOPUNTE SONUS FABER


SUPRA SWORD
SUPRA SWORD


PIONEER PDZ970
PIONEER PDZ970


MCINTOSH MCD500
MCINTOSH MCD500


SONUS FABER AMATI ANNIVERSARIO
SONUS FABER AMATI ANNIVERSARIO


THORENS TD 295 MKIV CHERRY
THORENS TD 295 MKIV CHERRY


SUPRA SWORD ISL
SUPRA SWORD ISL


DOCET K DRIVE
DOCET K DRIVE


MUSICAL FIDELITY M6CD
MUSICAL FIDELITY M6CD


MUSICAL FIDELITY V DAC 2
MUSICAL FIDELITY V DAC 2


CHORUS 816V
CHORUS 816V


Chario Silverette 300
Chario Silverette 300


VAN DEN HUL 3T THE CLOUD
VAN DEN HUL 3T THE CLOUD


SONUS FABER SMART
SONUS FABER SMART


PS AUDIO PERFECT WAVE BRIDGE
PS AUDIO PERFECT WAVE BRIDGE


ACCUPHASE E250
ACCUPHASE E250


Supra Lorad 2.5
Supra Lorad 2.5


NAD C545BEE
NAD C545BEE


The Solution
The Solution


MCINTOSH C 1000 C/T
MCINTOSH C 1000 C/T


GUARNERI EVOLUTION
GUARNERI EVOLUTION


SYNCHRONY TWO
SYNCHRONY TWO


MARANTZ SA KI PEARL
MARANTZ SA KI PEARL


SONUS FABER CREMONA M
SONUS FABER CREMONA M


GPINTO H2A
GPINTO H2A


MCINTOSH MC 275 LE 50TH ANNIVERSARY
MCINTOSH MC 275 LE 50TH ANNIVERSARY


MCINTOSH MR 87
MCINTOSH MR 87


NAD T587
NAD T587


PS AUDIO PERFECT WAVE P10
PS AUDIO PERFECT WAVE P10


ARCAM SOLO MOVIE
ARCAM SOLO MOVIE


CAMBRIDGE AUDIO BD751
CAMBRIDGE AUDIO BD751


MONSTER CABLE M1000I-8
MONSTER CABLE M1000I-8


GRADO SR60
GRADO SR60


CASTLE KNIGHT 2
CASTLE KNIGHT 2


THE JUBILEE HYBRID
THE JUBILEE HYBRID


MUSICAL FIDELITY M1 CLIC
MUSICAL FIDELITY M1 CLIC


Van Den Hul CS122
Van Den Hul CS122


OPPO BDP 95
OPPO BDP 95


ACCUPHASE A 35
ACCUPHASE A 35


ARCAM FMJ BDP-100
ARCAM FMJ BDP-100


SONUS FABER STAND LEGNO-PIETRA
SONUS FABER STAND LEGNO-PIETRA


LECTOR ZOE
LECTOR ZOE


Marantz SA11S2
Marantz SA11S2


FURUTECH EVOLUTION POWER FI-E11
FURUTECH EVOLUTION POWER FI-E11


SONUS FABER ELIPSA
SONUS FABER ELIPSA


LUXMAN L 505u
LUXMAN L 505u


AUDIO NOTE M2 LINE
AUDIO NOTE M2 LINE


LECTOR CDP7 mk3
LECTOR CDP7 mk3


MARANTZ SR5005
MARANTZ SR5005


CASTLE KNIGHT 5
CASTLE KNIGHT 5


FURUTECH EVOLUTION AUDIO RCA
FURUTECH EVOLUTION AUDIO RCA


MCINTOSH MC252
MCINTOSH MC252


FOCAL PROFILE 918
FOCAL PROFILE 918


SONUS FABER AMATI FUTURA
SONUS FABER AMATI FUTURA


RESOLUTION AUDIO CANTATA
RESOLUTION AUDIO CANTATA


THORENS TD295 MKIV Black
THORENS TD295 MKIV Black


GUARNERI MEMENTO
GUARNERI MEMENTO


SONUS FABER CREMONA SUB
SONUS FABER CREMONA SUB


ARCAM A70
ARCAM A70


VELA AUDIO CD
VELA AUDIO CD


VELODYNE DD 12 PLUS
VELODYNE DD 12 PLUS


VAN DEN HUL 3T THE ROCK
VAN DEN HUL 3T THE ROCK


NAD M15HD
NAD M15HD


CORR 50
CORR 50


PRIMO CD REV2.0
PRIMO CD REV2.0


Advance Acoustic MAP305
Advance Acoustic MAP305


CORR 100 RA
CORR 100 RA


VAN DEN HUL 3T THE MOUNTAIN
VAN DEN HUL 3T THE MOUNTAIN


MARANTZ NR 1501
MARANTZ NR 1501


CASTLE KNIGHT 4
CASTLE KNIGHT 4


VITA AUDIO R4
VITA AUDIO R4


ACCUPHASE DP 400
ACCUPHASE DP 400


MCINTOSH MCD301
MCINTOSH MCD301


AUDIO ANALOGUE MAESTRO CD 2.0
AUDIO ANALOGUE MAESTRO CD 2.0


TANNOY STIRLING SE
TANNOY STIRLING SE


SONUS FABER TOY TOWER
SONUS FABER TOY TOWER


MONITOR AUDIO PL 300 R
MONITOR AUDIO PL 300 R


LIUTO STAND
LIUTO STAND


AUDIO ANALOGUE ROSSINI 2.0 VT
AUDIO ANALOGUE ROSSINI 2.0 VT


SYNCHRONY ONE
SYNCHRONY ONE


ACCUPHASE P 4100
ACCUPHASE P 4100


MIRAGE OMD 5
MIRAGE OMD 5


MONITOR-AUDIO PL 200 PLATINUM
MONITOR-AUDIO PL 200 PLATINUM


MCINTOSH MA7000
MCINTOSH MA7000


NAD PP3
NAD PP3


MCINTOSH MC501
MCINTOSH MC501


MARANTZ PM KI PEARL
MARANTZ PM KI PEARL


LECTOR CD0.6t
LECTOR CD0.6t


M2TECH HIFACE EVO
M2TECH HIFACE EVO


MCINTOSH MX150
MCINTOSH MX150


NORDOST BLUE HEAVEN
NORDOST BLUE HEAVEN


MARANTZ UD8004
MARANTZ UD8004


MCINTOSH C22&MC75
MCINTOSH C22&MC75


KLIPSCH PALLADIUM P38F
KLIPSCH PALLADIUM P38F


Velodyne VX10
Velodyne VX10


CAMBRIDGE AUDIO AZUR 650r
CAMBRIDGE AUDIO AZUR 650r


MCINTOSH MC 601
MCINTOSH MC 601


Focal Electra 1027 Berillyum
Focal Electra 1027 Berillyum


NAD C326Bee
NAD C326Bee


SYNCHRONY TWO B
SYNCHRONY TWO B


M2tech HIFACE 2
M2tech HIFACE 2


PRIMO TUNER VT 2.0
PRIMO TUNER VT 2.0


MONITOR AUDIO GOLD GX200
MONITOR AUDIO GOLD GX200


SONUS FABER ELIPSA RED
SONUS FABER ELIPSA RED


TANNOY GLENAIR 10
TANNOY GLENAIR 10


KLIPSCH HERESY III
KLIPSCH HERESY III


AUDIO ANALOGUE ENIGMA 2.0
AUDIO ANALOGUE ENIGMA 2.0


MINIMA VINTAGE
MINIMA VINTAGE


MONSTER CABLE MP HTS 2600
MONSTER CABLE MP HTS 2600


MARANTZ AV7005
MARANTZ AV7005


PS AUDIO PERFECT TRANSPORT
PS AUDIO PERFECT TRANSPORT


LECTOR ZAX60
LECTOR ZAX60


MCINTOSH C2300
MCINTOSH C2300


ACCUPHASE DP 600
ACCUPHASE DP 600


VELODYNE DD 10 PLUS
VELODYNE DD 10 PLUS


NAD M3
NAD M3


ABSOLUTA JANUS
ABSOLUTA JANUS


VELODYNE CHT 15 Q
VELODYNE CHT 15 Q


M2TECH YOUNG
M2TECH YOUNG


Audiolab 8000 CD
Audiolab 8000 CD


SONUS FABER CONCERTINO
SONUS FABER CONCERTINO


AMPHION PRIO 510
AMPHION PRIO 510


VAN DEN HUL 3T THE VALLEY
VAN DEN HUL 3T THE VALLEY


PUCCINI SETTANTA REV2.0
PUCCINI SETTANTA REV2.0


Audiolab 8000S
Audiolab 8000S


ELECTROCOMPANIET PD1
ELECTROCOMPANIET PD1


GRADO SR80
GRADO SR80


GRADO SR40
GRADO SR40


MCINTOSH MC2301
MCINTOSH MC2301


FOCAL 706V
FOCAL 706V


MCINTOSH MA6600
MCINTOSH MA6600


MONITOR AUDIO SILVER RX6
MONITOR AUDIO SILVER RX6


TANNOY PRESTIGE YORKMINSTER SE
TANNOY PRESTIGE YORKMINSTER SE


MCINTOSH MC275
MCINTOSH MC275


ARCAM AVR 600
ARCAM AVR 600


TANNOY DEFINITION DC10T
TANNOY DEFINITION DC10T


MUSICAL FIDELITY M6i
MUSICAL FIDELITY M6i


SONUS FABER FENICE
SONUS FABER FENICE


FURUTECH G320
FURUTECH G320


SOLO MOVIE 2.1
SOLO MOVIE 2.1


Ultrasone HFI 2200
Ultrasone HFI 2200


VELA AUDIO AMPLIFICATORE
VELA AUDIO AMPLIFICATORE


HTS1000
HTS1000


DARED MP30B
DARED MP30B


PATHOS CLASSIC ONE
PATHOS CLASSIC ONE


THORENS TD 170
THORENS TD 170


NAD C565 Bee
NAD C565 Bee


PS AUDIO PERFECT WAVE DAC
PS AUDIO PERFECT WAVE DAC


VAN DEN HUL THE NAME
VAN DEN HUL THE NAME


FURUTECH
FURUTECH


TANNOY DEFINITION DC8
TANNOY DEFINITION DC8


FOCAL ELECTRA 1027s
FOCAL ELECTRA 1027s


MCINTOSH MT10
MCINTOSH MT10


CREMONA AUDITOR M
CREMONA AUDITOR M


AUDIO ANALOGUE MAESTRO 70
AUDIO ANALOGUE MAESTRO 70


SUPRA 4x4
SUPRA 4x4


LECTOR DIGIDRIVE E DIGICODE
LECTOR DIGIDRIVE E DIGICODE


ABSOLUTA PARTENOPE
ABSOLUTA PARTENOPE


VELODYNE MICROVEE
VELODYNE MICROVEE


NAD T757
NAD T757


LUXMAN L509u
LUXMAN L509u


NAD T765
NAD T765


NAD C446
NAD C446


MCINTOSH C 500C & C500 P/T
MCINTOSH C 500C & C500 P/T


Chario Silverette 100T
Chario Silverette 100T


MCINTOSH MC452
MCINTOSH MC452


SONUS FABER LIUTO
SONUS FABER LIUTO


FOCAL 806V
FOCAL 806V


NAD VISO TWO
NAD VISO TWO


LECTOR ZOR
LECTOR ZOR


MAGNUM HYBRID
MAGNUM HYBRID


DALI MENTOR 1
DALI MENTOR 1


ACCUPHASE C 2110
ACCUPHASE C 2110


BRYSTON BCD1
BRYSTON BCD1


LECTOR DOCET U-4DAC
LECTOR DOCET U-4DAC


AUDIO ANALOGUE CRESCENDO
AUDIO ANALOGUE CRESCENDO


LECTOR ZAX120
LECTOR ZAX120


STREAM MAGIC 6
STREAM MAGIC 6


FURUTECH SPEAKER REF.III-06
FURUTECH SPEAKER REF.III-06


CLEARAUDIO CONCEPT
CLEARAUDIO CONCEPT


ACCUPHASE DP 510
ACCUPHASE DP 510


MONITOR-AUDIO RADIUS R1 HD
MONITOR-AUDIO RADIUS R1 HD


YAMAHA TSX130
YAMAHA TSX130


ARCAM rDAC
ARCAM rDAC


MONITOR AUDIO GOLD GXW-15
MONITOR AUDIO GOLD GXW-15


MONSTER CABLE M2.2S-10/10
MONSTER CABLE M2.2S-10/10


ARCAM RCUBE
ARCAM RCUBE


SYNTHESIS SEAMUS
SYNTHESIS SEAMUS


MARANTZ IS301
MARANTZ IS301


MCINTOSH C48
MCINTOSH C48


LECTOR CDP7 PSU7
LECTOR CDP7 PSU7


MARANTZ NA7004
MARANTZ NA7004


ACCUPHASE DP500
ACCUPHASE DP500


SYNTHESIS FLAME RC
SYNTHESIS FLAME RC


ACCUPHASE DP 700
ACCUPHASE DP 700


GRADO GS1000
GRADO GS1000


SONUS FABER MINIMA AMATOR
SONUS FABER MINIMA AMATOR


Chario Silverette 200T
Chario Silverette 200T


ACCUPHASE E 460
ACCUPHASE E 460


NAD C165 BEE
NAD C165 BEE


LABTEK AURORA 1000€
LABTEK AURORA 1000€


CLEARAUDIO EMOTION BLACK PACKAGE PLUS
CLEARAUDIO EMOTION BLACK PACKAGE PLUS


MCINTOSH MC302
MCINTOSH MC302


HT800
HT800


AUDIO ANALOGUE CRESCENDO CD
AUDIO ANALOGUE CRESCENDO CD


CAMBRIDGE AUDIO NP30
CAMBRIDGE AUDIO NP30


Focal Jm Lab Electra 1007 Beryllium
Focal Jm Lab Electra 1007 Beryllium


MONSTER CABLE M1000
MONSTER CABLE M1000


FURUTECH E-TP609 600€
FURUTECH E-TP609 600€


Advance Acoustic Maa 705
Advance Acoustic Maa 705


TANNOY PRESTIGE SANDRINGHAM SE
TANNOY PRESTIGE SANDRINGHAM SE


MCINTOSH MVP 881
MCINTOSH MVP 881


Mordaunt Short Performance 6
Mordaunt Short Performance 6


VAN DEN HUL il marchio
VAN DEN HUL il marchio


CORR 100
CORR 100


MONITOR AUDIO SILVER RX1
MONITOR AUDIO SILVER RX1


ABSOLUTA TALIA
ABSOLUTA TALIA


ARCAM AVR 400
ARCAM AVR 400


THORENS TD 850-BC
THORENS TD 850-BC


SONUS FABER TOY CENTER
SONUS FABER TOY CENTER


MARANTZ HP101
MARANTZ HP101


Advance Acoustic MPP505
Advance Acoustic MPP505


AUDIO ANALOGUE VERDI 100
AUDIO ANALOGUE VERDI 100


ARCAM FMJ CD 37
ARCAM FMJ CD 37


MONITOR AUDIO SILVER RX8
MONITOR AUDIO SILVER RX8


CLEARAUDIO EMOTION
CLEARAUDIO EMOTION


FURUTECH FURUTEC ADL-GT40
FURUTECH FURUTEC ADL-GT40


LECTOR Z100
LECTOR Z100


MCINTOSH XRT 1K
MCINTOSH XRT 1K


VAN DEN HUL The Mainsserver
VAN DEN HUL The Mainsserver


ARCAM FMJ A18
ARCAM FMJ A18


SA7003
SA7003


MARANTZ SA8003
MARANTZ SA8003


VELODYNE SPL ULTRA 1200
VELODYNE SPL ULTRA 1200


DOCET DH70L
DOCET DH70L


FURUTECH E-TP80 E
FURUTECH E-TP80 E


TANNOY DEFINITION DC8T
TANNOY DEFINITION DC8T


CAMBRIDGE AUDIO 640T
CAMBRIDGE AUDIO 640T


FURUTECH E-TP60 E
FURUTECH E-TP60 E


LECTOR VM200
LECTOR VM200


Van Den Hul The Skyline
Van Den Hul The Skyline


MONITOR AUDIO BX 5
MONITOR AUDIO BX 5


MARTIN LOGAN AERIUS I
MARTIN LOGAN AERIUS I


LUXMAN L590 AX
LUXMAN L590 AX


NANOSAT PRESTIGE
NANOSAT PRESTIGE


NAD MASTER M2
NAD MASTER M2


TANNOY AUTOGRAPH MINI
TANNOY AUTOGRAPH MINI


TANNOY PRESTIGE GLENAIR 15
TANNOY PRESTIGE GLENAIR 15


FURUTECH U- 2T
FURUTECH U- 2T


SONUS FABER MONITOR
SONUS FABER MONITOR


The Integration Hybrid
The Integration Hybrid


VELODYNE CHT 12 Q
VELODYNE CHT 12 Q


TANNOY PRESTIGE CANTERBURY SE
TANNOY PRESTIGE CANTERBURY SE


SONUS FABER TOY
SONUS FABER TOY


MCINTOSH MA 2275
MCINTOSH MA 2275


CLEARAUDIO CHAMPION ACRILICO PACKAGE BASIC
CLEARAUDIO CHAMPION ACRILICO PACKAGE BASIC


SUPRA MD 06EU
SUPRA MD 06EU


VAN DEN HUL MAINSSTREAM
VAN DEN HUL MAINSSTREAM


Mcintosh MX 121
Mcintosh MX 121


AUDIO ANALOGUE FORTISSIMO
AUDIO ANALOGUE FORTISSIMO


WADIA 151 POWER DAC MINI
WADIA 151 POWER DAC MINI


MARANTZ UD9004
MARANTZ UD9004


PS AUDIO QUINTESSENCE POWER CENTER
PS AUDIO QUINTESSENCE POWER CENTER


ADVANCE ACOUSTIC MAA 406
ADVANCE ACOUSTIC MAA 406


MONITOR AUDIO BX 6
MONITOR AUDIO BX 6


MARANTZ MCR502
MARANTZ MCR502


STAND FIXED
STAND FIXED


MCINTOSH C220
MCINTOSH C220


LECTOR VM200M
LECTOR VM200M


PS AUDIO GCA 250
PS AUDIO GCA 250


LECTOR DIGITUBE S192
LECTOR DIGITUBE S192


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Home arrow Amplificazione arrow Finali arrow PS AUDIO GCA 250

PS AUDIO GCA 250




 




PS AUDIO GCA250

 
 
 
 
AMPLIFICATORE FINALE 2 X 250 WATT RMS SU 8 OHM
 
2 X 500 WATT SU 4 OHM
 
FATTORE DI SMORTZAMENTO SUPERIORE A 1000
 
BASATO SU AMPLIFICAZIONE ''GAIN CELL''
 
 

Features


  • Little to no heat
  • Extremely low noise design
  • Gain Cell for each channel
  • High damping factor
  • Dual regulated independent power supplies
  • Dual Mono design
  • Analog power output stage
  • Unique locking binding posts

Benefits

  • Rock solid image
  • Deep bass
  • Open, spacious sound
  • Power doubles into 4 Ohm load
  • Will drive any loudspeaker
  • Effortless performance
  • Ultra low distortion





Estratto in inglese dal sito ufficiale:
 
 
From the moment you unpack your new GCA amp, press the logo on the front panel and watch the gentle splash of soft blue light wash over the machined aluminum faceplate, you know you’re in for a treat.  Pride of ownership is the first emotion and awe the second.  A power amp like no power amplifier you have ever owned.

Pure Power™ has been the watchword of PS Audio for a long time.  We first used it when we introduced the Power Plant series of AC regenerators many years ago. 
 
Now, with the introduction of the new GCA series of stereo power amplifiers we are using it again; but in a musical sense.  Pure Power and Pure Resolution™ are two very good descriptions of the performance you can expect from this new line of audio amplifiers.

The GCA series is the finest sounding and best performing power amplifiers we have ever designed and produced in the 30 year history of PS Audio.  Uncompromising in all respects, the GCA series of amplifiers is based on revolutionary new technologies designed by PS engineering to breath life into any audio video system at power levels sufficient for all loudspeakers.
 
To celebrate the beauty inside we commissioned master industrial designer Alex Rasmussen to design the beauty outside.  In one of Alex’s greatest designs the flowing 3/4’ machined front panel sweeps in gentle curves that speak of the purity and flow inside.  The subtle wash of blue is an elegant reminder that that this amp needs no glitzy lights and garish bells and whistles to announce its superiority.  Every touch of the amp, every view of the amp speaks of simple beauty and purity of design.
 
Dual mono and completely independent
This is an amazing series of power amplifiers.  Based on the new PS Audio Gain Cell technology, each GCA power amplifier contains two independent Gain Cells and two completely independent mono SDAT™ power modules.  Aside from the fact that each GCA amplifier shares a common power cable, inside they are absolutely separate and isolated power amplifiers, each 100% independent of the other for true dual mono amplification.
 
 
Gain Cells inside
You can read the entire story of the revolutionary new PS Audio Gain Cell™ by clicking here to view the page .

A brief overview of the Gain Cell™ would show that it is the heart of the new GCA power amplifier as well as the heart of our new preamplifier, integrated amplifier and multi-channel amplifier.  The Gain Cell, developed over the last 25 years of research and work by PS Audio founder Paul McGowan, was brought to life by the engineering team at PS Audio and now graces the insides of every audio product we manufacture.

A Gain Cell is about the most perfect gain block ever invented.  Gain Cells are fully balanced analog gain devices that are direct coupled from input to output in one of the cleanest, purest audio paths ever devised.  PS designers can drop a Gain Cell into a PS designed power amplifier, preamplifier, CD player, integrated amplifier or any imaginable audio product and the Gain Cell becomes the heart and soul of that product.

Gain Cells have fully adjustable gain over a 130dB range with close to zero distortion and noise, and are the perfect gain block for any audio product.

Each GCA power amplifier channel has its own Gain cell.  The Gain Cell is the first thing your preamplifier will see when connected to the GCA power amplifier.  The Gain cell will take the output of your preamplifier or surround processor, eliminate much of the noise and hum found in your cables and present a pure high resolution audio signal to the GCA SDAT output stage.
 
Look!  No heat!
The power output stage of each GCA amplifier is based on an improved version of PS Audio’s ground breaking analog Power output stage.  Our Class D PWM output stage was first introduced to the world in the (now famous) PS Audio HCA-2 power amplifier which received the coveted Stereophile Class A rating for power amplifiers and adorned the cover of Stereophile magazine.

Similar in concept to the original PWM output stage found in the HCA-2, this new high efficiency 100% analog technology uses a fully independent and regulated switching power supply to feed each of the power modules, virtually eliminating any need for input power transformers and heavy magnetics.  Because each analog power module has its own regulated power supply, each channel of the amplifier operates without regard to the other channel and consequently we can honestly boast of true dual mono operation within each GCA amplifier.

PS power amplifiers are unique because they generate almost no heat.  Using PWM technology, the output MOSFET transistors inside the analog power module operate in their most efficient manner and we are able to achieve upwards of 85% efficiency for the entire GCA amplifier.  Compare that to a typical class AB amplifier’s efficiency of 50% and even worse for a tube or class A amplifier.

No heat sinks!
Notice there are no heat sinks on this beauty, no fans, no need for any type of special mounting or cooling techniques.  The GCA amplifier runs cool and quietly, sounds unbelievably good and provides more power than any system is capable of fully using.

Super linearity
Another advantage of our analog power technology is linearity.  No power amplifier, whether tube or solid state can boast perfect linearity without the use of feedback or other Band Aids to help linearize the amplifier’s performance.  With a high efficiency power circuit on the output, voltage-in equals voltage-out in an absolutely linear fashion.  The net result of this linearity is an effortless sound regardless of volume.  From micro dynamics to macro dynamics, this amplifier sounds the same on the softest passages to the loudest orchestral crescendos, a feat unmatched by any tube or solid state amplifier ever made.

High damping factor
One of the classic problems with PWM and tube types of power amplifiers is a low damping factor due to the requisite output filter or output transformer depending on the design.  Damping factor is a means of measuring how well the power amp can control the loudspeaker.  A damping factor of 100 to 200 is considered excellent.  

The first PWM amplifier we built, the HCA-2, had a damping factor at low frequencies of just under 100, a mighty feat in itself when you consider most PWM and tube based amplifiers are lucky to have damping factors above 25 or 30.  A low damping factor means that the volume of the speaker will change with the varying load impedance of the speaker!  This is not a good situation when high end audio is a goal.

The new GCA series power amplifiers has a damping factor in the thousands, a 10 times increase in control over the loudspeaker than any other amplifier on the market.  When you hear the authority and control any of the three GCA amplifiers presents in your listening room you’ll be setback on your heels.  Jaw dropping bass and authority are just a few of the benefits provided by this extraordinary feature of the GCA amp.

Keeping the hybrid concept alive
Inside each GCA amplifier is a Gain Cell powering an SDAT module.  This combination of analog input stage and an ultra-efficient digital output stage is called a hybrid design because it incorporates the best of two worlds, analog and digital.

Our first SDAT powered amplifier, the HCA-2, was named after another famous hybrid, the Infinity Hybrid Class A .  In honor of this ground breaking amplifier that combined tubes and solid state transistors in a single design, we named the HCA-2 after the Infinity product.

The GCA series is also a hybrid in this same manner, but we named the GCA in honor of an even more revolutionary invention, the Gain Cell ™.  The Gain Cell Amplifier (GCA) takes the hybrid concept to another level altogether.

The models
The three models of GCA amplifiers include the GCA 100, GCA 250 and GCA 500.  Each is a dual mono two channel amplifier and each can be ordered as an integrated (Control Amplifier) amplifier for yet another level of performance in a two-channel system. 
 
Each model has a rear mounted three position switch that adjusts the light level of the front panel blue wash to whatever works best in your environment.
 
Speaker outputs are via a single set of high-end gold binding posts that accept either spade or banana plugs.  If banana plugs are used, these unique connectors can be tightened down to clamp and hold a standard banana plug so it will lock in place.  The connectors are designed by PS Engineering and are the finest bindings posts we know of.

Inputs are through either a balanced XLR connector or a high-end RCA connector.  There is a rear mounted switch that allows the user to choose either input.

The GCA 100 is a stereo, 100 watt per channel power amplifier that produces 200 watt per channel into 4 Ohms and drives speaker loads as low as 1.5 Ohms.  It has a damping factor that exceeds 1000 and is capable of driving any moderate loudspeaker to live orchestral crescendo levels.  The GCA 100 has an input impedance of 47K Ohms, can be remotely turned on/off with a simple 12 volt trigger, is a fully balanced amplifier, noise is low enough that you’ll have to place your ear next to the tweeter of most speakers to even hear if the amplifier is on and distortion levels below 0.05%.  The GCA 100 is a perfect amplifier for most any multi-channel or stereo system and has the best top end and midrange of any of the three models.

The GCA 250 is a two channel, 250 watt per channel power amplifier that produces 500 watt per channel into 4 Ohms and drives down to <1.5 Ohms.  It has a damping factor that exceeds 1000 and is the amplifier most people will want to own as its 500 watt per channel rating is more than enough for any loudspeaker system we know of, period.  The GCA 250 has an input impedance of 47K Ohms, can be remotely turned on/off with a simple 12 volt trigger, is a fully balanced amplifier, and like the GCA 100, it’s ear in the tweeter to hear any hiss out of this amplifier.  Distortion levels below 0.1%.  The GCA 250 is the amp of choice for any system whether it’s a stereo or multi-channel application.  This beauty can power anything.

The GCA 500 is a brute.  This is one of the most powerful amplifiers available at any price from any manufacturer in the world.  The GCA 500 is a no holds barred stereo, 500 watt per channel power amplifier that produces an incredible 1000 watt per channel, both channels driven into 4 Ohms and is drives down to <1.5 Ohms!  It has a damping factor that exceeds 1000 and is the amplifier you will want to choose if you never want to worry about headroom or dynamic capabilities in your system ever again.  The GCA 500 has an input impedance of 47K Ohms, can be remotely turned on/off with a simple 12 volt trigger, is a fully balanced amplifier, and like the GCA 100, it’s ear in the tweeter to hear any hiss out of this amplifier.  Distortion levels below 0.1%.
 
The GCA 500 is unequalled in the world of audio amplification.  The king, the biggest, baddest power amp around that can play the sweetest violin passage to the loudest rock and roll, dinosaur stomping audio experience this side of the galaxy.  If you’ve never witnessed true audio power with limitless headroom and breath sucking performance, this is the one.

A triumph in audio amplification
From the 100 watt per channel beauty of the GCA 100 to the awesome soul searching, head shaking power of the GCA 500, this new line of Gain Cell Amplifiers from PS Audio is the finest sounding, best performing line of amplifiers in the history of the company. 

From the moment you press the logo on the front panel, put your ear up the speaker to make sure it’s even on, to the first cut of the first movie or music you play, you’ll be blown away by the effortlessness, the beauty and the passion this amplifier will evoke in every fiber of your being. 
 
Utterly reliable, built like the proverbial tank and sculpted by master industrial designer Alex Rasmussen, this is truly a work of art from PS Engineering and one you would be proud to own and enjoy for many years to come.